Search results for: Amy Berg

As a result of a bizarre 2009 production year, TIFF is the happy recipient of some premium titles which include the world premieres to some of my most anticipated films this year in: Mike Mill's Beginners, John Cameron Mitchell's Rabbit Hole, Mark Romanek's Never Let Me Go, Andrucha Waddington's Lope and Rowan Joffe's Brighton Rock. Then we have titles that are coming from this year's Sundance, Cannes or both (Blue Valentine picks up the trifecta honor) and then we have titles that come to us from out of nowhere with Michael Winterbottom's The Trip and Richard Ayoade's debut film, Submarine.

I think the Best Supporting categories are the toughest nuts to crack, often a fine performance counts as a rare sympathy vote for a film that isn't nominated in any other category. This year's real wild card are the actresses involved in Woody Allen's latest which employs a trio of supporting ladies in Freida Pinto, Anna Friel and Lucy Punch - but at this point its anyone's guess on how pivotal they become to the assigned male characters.

The rags-to-riches, come from behind boxing ring narrative has been overdone, and while nothing has come close to stealing the title away from the Jake La Motta biopic (Million Dollar Baby was crap folks), if the performances are spot on, if Russell gives this biography a different tapestry (apparently he shrunk the timeline from 30 to 3 years) then we'll gain more insight in why this originally attracted the Darren Aronofskys and the Brad Pitts).

Similar to the Golden Globes because it is a foreign group of film journalists who conduct the voting (though I'm sure they have no mandate to prefer films loaded in stars), this year's the 15th Lumiere Awards has a pair of films in the top tier that recently that duked it out for the Louis Delluc award. Philippe Lioret's Welcome (which just got picked up by Film Movement this week) and Jacques Audiard's A Prophet (a SPC release next February) received five and four noms respectively.

Tons of Park City alumni are bringing their latest films, but I'm a bit surprised that March-pegged releases of The Weinstein's All Good Things and Focus Features' Greenberg aren't getting a Park City push. Instead, as expected, Sony Pictures Classics will show up and they get to showcase Get Low and A Prophet (Spotlight section) once again, and they'll preem Holofcener's Please Give. Overture will introduce Philip Seymour Hoffman's directing debut (Jack Goes Boating) and Fox Searchlight will preem Duplass Bros.' untitled comedy, which I'm calling Center of Attention - because its a great title considering the subject matter.