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Vitagraph Films Like Chances for ‘Even the Rain’

Vitagraph Films, a film distributor that services only one to a trio of titles per year, have made the rare pick-up. Following last year's purchase of Germany's The Baader Meinhof Complex, the company have grabbed yet another Foreign Oscar hopeful for a theatrical release sometime next year -- as Spain's Even The Rain will only play in it's host country in January.

Spain Cinema at TIFF: Fernando Trueba, Manuel Martin Cuenca and Achero Manas

Toronto Int. Film Festival has padded another four Spanish produced or co-produced titles to their 2010 edition. In the Contemporary World Cinema section, we have the International Premiere for Achero Mañas's Anything You Want aka Todo Lo Que Quieras. Mañas, a former actor, returns to fiction after directing the documentary “Blackwhite” in 2004, his latest film tells the story of how a lawyer (Juan Diego Botto from The Dancer Upstairs) undergoes an identity metamorphosis in order to please and secure the emotional stability of his daughter...

Spanish Titles Heading to San Sebastian and Venice Film Festivals

José Maria Orbe's Aita - his first participation on the festival and will also compete for the New Directors award. Judith Collell and Jordi Cardena's Elisa K - a first participation for Colell while it’s the second for Cardena who presented “Los Papeles de Aspern” in 1991.

2010 Venice Film Festival Predictions

I don't think the title of head programmer for any festival is an easy job, but I'd argue that Marco Müller has it "easy" this year. With so many of the world's best auteurs having not been ready to deliver at the Cannes deadline, the 67th edition of the Venice Film Festival (which will run 1st to 11th September 2010) is going to be loaded in premium titles. With many items having already been mentioned and speculated on before, here is an updated predictions list with a good helping of new names.

Key Players in the Cannes Market: Wild Bunch

Three titles that should receive a lot of attention in this year's fest are: Jorge Michel Grau's contempo cannibal film to break out We Are What We Are (see pic), and Johannes Stjärne Nilsson's Sound of Noise – a high risk film because it mixes genres together like someone grabbing whole bunch of leftovers from the fridge.

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