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TIFF’s Phat 2013 Line-up Includes Latest From: Chomet, Egoyan, Holofcener, Glazer, Gordon Green & Reichardt

With dramatic fare such as August: Osage County, Mandela: Long Walk to Freedom and Dallas Buyers Club, 2013's Toronto Int. Film Festival once again...

Criterion Collection: Rosemary’s Baby | Blu-ray review

Just in time for Halloween, Criterion has remastered what’s long been culturally considered one of the most notable pieces of horror film making in...

Fish Tank, Everyone Else, Dogtooth among 48 selected for the European Film Awards

Fish Tank, Everyone Else, Dogtooth, Police Adjective, A Prophet and White Ribbon are just a half a dozen titles among the 48 films that have a shot at being nominated among several categories for 22nd The European Film Awards.

A Cannes Heavy NYFF Puts Resnais, Lee Daniels and Almodovar in the Spotlight

I'd focus on Maren Ade's Everyone Else (Kent Jones wrote an essay in this month's Film Comment about this German film and comparable on-screen relationships citing Cassavetes and Bergman examples), Zhao Dayong's three hour documentary film (Ghost Town) about how China's Cultural Revolution didn't benefit everyone and (see pic) Samuel Maoz's circa 1982 film (Lebanon) which will screen at Venice, TIFF and at the Lincoln Center - not bad for a first time filmmaker!

Collector’s Choice: The Class, Katyn, London to Brighton, Apres Lui, Gigantic

Tuesday August 11th sees some Euro titles worth renting out (Katyn, London to Brighton and Apres Lui), a Palme D'or winner worth buying (The Class) and an American indie film starring Zach Galifianakis as a life-threatening menace that was critically panned but in my books: is an oddity worth seeing.

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2026 Cannes Critics’ Panel: Day 9 – Lukas Dhont’s ‘Coward’

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2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

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