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Farhadi’s “The Salesman” Completes Cannes Main Comp; Mackenzie’s “Hell or High Water” in UCR

And then they were twenty-one. Shown to Cannes' head honcho Thierry Fremaux a tad too late for the initial announcement, Asghar Farhadi's The Saleman...

Farhadi Not Forgotten; Cinema Guild Dig into The Past for “About Elly”

Rarely do we report on films being picked up a good half decade after the fact, but Cinema Guild's Ryan Krivoshey saw value in...

Recap: Our Cannes Critics’ Panel think Latest Kechiche, Coens and Farhadi Were a Cut Above

Around the midway point of the fest, all indications told us that Asghar Farhadi's The Past and the Coen bros. Inside Llewyn Davis would...

Review: A Separation

"Iranian writer-director Asghar Farhadi’s deeply involving A Separation manages to absorb the audience in a tangled domestic whodunit sparked by the break-up of a 14-year marriage, while also engaging them in a conscious dialogue about the thorny moral choices the characters are forced to make. Perfect consonance between the art and camera departments allows Farhadi and cinematographer Mahmood Kalari to shoot family members through windows, doorways, and marbled glass dividers, spatially emphasizing their internal disconnect. Lack of a musical score highlights Farhadi’s resistance to passing any kind of verdict on the characters, who are all angled against each other for their own, often concealed, motives."

It Was Just an Accident | Review

Phantom Limb: Panahi Treads Ripples of Retribution Jafar Panahi continues to poke the bear with It Was Just an Accident, his latest being another film...

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Interview: Alireza Khatami – The Things You Kill

For his second feature film, Toronto-based Alireza Khatami tackles...

Sirat | Review

A Bridge Too Far: Laxe Enters the Zone “The Zone...

Sound of Falling | Review

Women on the Verge of a Nervous Breakdown: Schilinksi...

The Things You Kill | Review

A Poison Tree: Khatami Deconstructs the Psychoses of Patriarchy For...

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