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67th Venice Film Festival: Gallo, Coppola, Reichardt Selected in the Main Comp

Knowing Quentin Tarantino's appreciation for films that are "out there": if I had to do some really early predictions here, I'd say that the Gold and Silver Lion front-runners are in Alex De La Iglesia's bizarro fantasy film A Sad Trumpet Ballad, Pablo Larrain's Post Mortem or Athina Rachel Tsangari's Attenberg (a filmmaker we recently profiled in our American New Wave 25 series - she spent more than a decade in Austin's film scene). I'd also add put Abdellatif Kechiche's Black Venus high up on any awards list, especially the Lido - it's a film I've been pegging for Venice since the film went into production.

Interview: Ariane Labed – September Says

A pivotal figure in the Greek Weird Wave, Ariane Labed first gained attention with her role in Yorgos Lanthimos’ Dogtooth (2009) before delivering an...

Interview: Summer Shelton – You & I

Not unlike how a young Athina Rachel Tsangari ended up being part of a Richard Linklater film, Summer Shelton has been part of the...

Harvest | 2024 Venice Film Festival Review

Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...

2024 TIFF: 10 Key Take-Aways From Gala & Special Presentations Announcement

The 49th edition of the Toronto International Film Festival has unveiled its Gala and Special Presentations programs and now have have confirmations not only...

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Hot Milk | Review

The Eternal Daughter: Lenkiewicz Ladles the Milk of Sorrows Screenwriter...

Interview: Ariane Labed – September Says

A pivotal figure in the Greek Weird Wave, Ariane...

Interview: Jessica Palud – Being Maria

In 2018, political journalist and writer Vanessa Schneider released...

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