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IONCINEPHILE of the Month: Mark Jackson’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? In 2018, Mark Jackson launched his third feature...

Come to Daddy | Review

Father of Mine: Timpson Paints Pastiche with Peculiar Debut While he assembles all the requisite elements for what promises to be a throwback to the...

Through the Looking Glass: The Top 100 Most Anticipated Foreign Films of 2020 – Picks #100 to #11

While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...

Happy New Year, Colin Burstead | 2018 Intl. Film Festival & Awards Macao Review

New Year’s Evil: Wheatley Finds Humanity Amid Caustic Bickering Shapeshifting his way along a varied filmography, Ben Wheatley is back after the tongue-in-cheek gunplay bonanza...

Let the Corpses Tan! | Review

All that Glitters: Cattet & Forzani Cut Stylish Swath Through Arid Neo-Western For their third film, Let the Corpses Tan!, another heavily styled recalibration of...

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Interview: Laura Wandel – Adam’s Sake (L’Intérêt d’Adam)

For her sophomore feature, Belgian filmmaker Laura Wandel continues...

Interview: Boris Lojkine – Souleymane’s Story

After winning the Un Certain Regard Jury Prize and...

The Testament of Ann Lee | Review

Shake It Up: Fastvold Envisions the Life’s Work of...

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