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Miséricorde | 2024 Cannes Film Festival Review

Kiss Me or Kill Me: Guiraudie Stirs a Sinister Solace in the Backwoods Alain Guiraudie returns to the ruinous climes of rural malcontentedness with his...

La Bête (The Beast) | Review

In the Mood for Love & Death: Bonello Explores the Final Frontier of Emotional Intelligence Throughout the dizzying centuries-spanning odyssey of an unrequited love in...

Western Ex-pat: Audrey Diwan Reteams with Anamaria Vartolomei for “Emmanuelle”

Currently in pre-production phase and deep in the casting process, Audrey Diwan (who will be in Cannes as the head of the Critic's Week...

2023 Cannes: Glazer, Ceylan, Rohrwacher, Haynes & Ramata-Toulaye Sy Competing for the Palme d’Or

A surprise Wim Wenders project (Perfect Days), a rare directorial debut Ramata-Toulaye Sy (Banel et Adama) and a Wang Bing film (Jeunesse) are part...

2023 Cannes Film Festival Predictions – Un Certain Regard

Last year's Un Certain Regard was a vintage year. A trio of films in Return to Seoul, Corsage and Godland could have easily been...

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Jouhatsu Junction: Humanist Vampire… Helmer Ariane Louis-Seize Picking ‘Cherry Blossoms’

Telefilm Canada have put some sizeable coin towards a...

2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race

Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de...

2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race

The International Feature Film category is only beginning to...

Park Ji-Min Joins Théodore Pellerin in Philippe Lesage’s ‘I Just Want a Great Love Story’

Production has begun on Philippe Lesage's highly anticipated I...

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