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2026 Cannes Film Festival Predictions: Palme d’Or – Part II

Welcome back to the second portion of our Cannes Film Festival Competition predictions. Earlier we had ten titles jostling among our prognostications; today we...

Mother | 2025 Venice Film Festival Review

Slack Narcissus: Mitevska Conjures the Psyche of a Saint There are a handful of contemporary historical figures whose accomplishments have superseded cultural critique thanks to...

2025 Cannes Critics’ Panel: Day 5 – Richard Linklater’s ‘Nouvelle Vague’

This is Cannes Film Festival's third invite (second time competition) to veteran American indie filmmaker Richard Linklater. Oddly his first visit was almost two...

Que ma volonté soit faite (Her Will Be Done) | 2025 Cannes Film Festival Review

Burn Witch, Burn: Kowalski Nurses a Curse in Sinister Backwoods For her sophomore feature Her Will Be Done (Que ma volonté soit faite), Julia Kowalski...

The Empire (L’Empire) | Review

The Satire Strikes Back: Dumont Claims His Own Multi-Verse It’s sometimes difficult to predict what mode French auteur Bruno Dumont will be choosing for his...

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Jouhatsu Junction: Humanist Vampire… Helmer Ariane Louis-Seize Picking ‘Cherry Blossoms’

Telefilm Canada have put some sizeable coin towards a...

2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race

Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de...

2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race

The International Feature Film category is only beginning to...

Park Ji-Min Joins Théodore Pellerin in Philippe Lesage’s ‘I Just Want a Great Love Story’

Production has begun on Philippe Lesage's highly anticipated I...

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