Multidisciplinarian Xu Haofeng is not only a newbie filmmaker but happens to be a novelist, Taoist scholar, martial-arts connoisseur and co-writer for Wong Kar-wai’s The Grand Master. The word on this Venice Film Festival invited title is that it takes the genre into a completely different realm - we Haofeng calling this “inner martial arts“ presented visually and aurally. Count me in!
It has been confirmed that Johnnie To will direct a new romantic drama film next year, with Sammi Cheng (Infernal Affairs) and Louis Koo (Triad Election) playing the co-leads. Johnnie To reportedly said that he wanted to make “pure love and romantic story” as his next project. He also hinted that it would likely include the participation of filmmaker Wai Ka-Fai.
Compared with last year, Fortissmo Films come packing with only a single title, but that doesn't mean their sales agent won't be spending pretty much the entire festival from their rented office balcony. They signed a fairly ambitious deal with Fox - first time I've heard of a major studio outputting their titles to a films sales company of this nature and they've got one receiving a world preem at the festival in Sergei Loznitsa's My Joy.
Peng Ho-Cheung’s cigarette-oriented romantic comedy Love In A Puff remained faithful to what Ho-Cheung does best: his writing. Much of this might have to do with his chosen collaborator. His co-writer, Heiward Mak offers much insight, modern-day relationships in the Hong Kong.
Korea’s Mother won the top honor at the 4th Asian Film Awards, picking up Best Picture, while Chinese and Hong Kong films sweeped the other major award categories. After the grand opening of HKIFF on Sunday night, the ceremony has been held on the following day, adding an extra kick to the film festival. Bong Joon-ho’s murder mystery predictably won in a category that has previously been dominated by Korean films.