In Space No One Can See You Steal: Espinosa Imitates another Celluloid Form
The vastness of space and the limitlessness of the universe are abstract,...
Kong’s Crib: Vogt-Roberts Strains Weak Characters Through Special Effects Pageant
In the continuing tradition of flinging fledgling indie directors into studio tent pole franchise reboots,...
The Love of a Preacher Man: Koolhoven’s Pseudo-Feminist Western an Ambitiously Grotesque Affront
Unveiling the most expensive Dutch film production since Paul Verhoeven’s Black Book...
Hailed as a masterpiece by many a major critical outlet immediately after it premiered at the 2016 Sundance Film Festival, Kenneth Lonergan’s third title...
They Could Go on Singing: Smoczynska’s Debut a Fairy Tale Grim
Polish director Agnieszka Smoczynska crafts a memorable directorial debut with The Lure, a 1980s...