Search results for: David O. Russell

11. Zama – Dir. Lucretia Martel Why This Makes Top 10: At number eleven we have Argentinean filmmaker Lucretia Martel’s latest film, her first since...

There is either a couple of football fans or Jerry Maguire/Moneyball with this year's most liked unproduced screenplay. Close to 300 hundred film executives...

"Tracking Shot" is a monthly featurette here on IONCINEMA.com that looks at a dozen or so projects that are moments away from lensing (or...

Usually a month where we tend to avoid the multiplex, the positive buzz on Matthew Vaughn's X-Men: First Class and J.J. Abrams' Super 8 and the inclusion of Blacklist 2008 favorite Bad Teacher means we might be shifting between smaller and larger venues this June.

Both by design and by accident, The Misfits is a remarkably prescient farewell to an era. Huston’s intent was to chronicle the death rattles of the American cowboy tradition; the demise of rugged individualism in a modern world that rewarded conformity and commerce. The adventurous riders of the western plains were being corralled by the material pressures of consumerism; their free spirits permanently altered by the crushing need to draw steady paychecks in a new, commodity based, reality.