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2024 Venice Film Festival Predictions: Walter Salles, Athina Rachel Tsangari & Harmony Korine

So here we are. The programming teams headed by Artistic Directors Gaia Furrer (Giornate degli Autori), Beatrice Fiorentino (Settimana Internazionale della Critica) and Alberto...

Petite Solange | Review

Bonjour Tristesse: Ropert Explores Rude Awakenings in Tender Coming-of-Age Portrait “What am I doing in this world?” wrote Paul Verlaine in his classic poem “The...

2023 Cannes Film Festival Predictions – Critics’ Week

In a decade from now, we might be looking at all the offerings at last year's Cannes Film Festival and how Charlotte Well's masterwork...

Top 200 Most Anticipated Foreign Films of 2023: #98. Liliana Cavani’s L’ordine del tempo

L’ordine del tempo On our list we have a quartet of filmmakers who returned to the director's chair after at least a decade away and...

Top 200 Most Anticipated Foreign Films of 2023: #100. Sudabeh Mortezai’s Europa

Europa We jumped the gun a bit last year when we included the latest project by Austrian–Iranian filmmaker Sudabeh Mortezai in our most anticipated list...

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La grazia | Review

Interview: Arab Nassar – Once Upon a Time in Gaza

Over the course of their three feature films, Gaza-born...

Interview: Tawfeek Barhom – I’m Glad You’re Dead Now (Short)

From Tarik Selah's Boy from Heaven (2022) to the...

Interview: Ali Asgari – Divine Comedy

Sometimes, in a landscape where censorship and endless approvals...

Interview: Hasan Hidi – The President’s Cake

Earlier this year, first-time filmmaker Hasan Hadi arrived in...

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