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Interview: Jean-Pierre Jeunet (Micmacs)

At the beginning when we have the concept of the story. Once we know we have a revenge story, we open the book of details and see what we can use. For example the story of the sugar and coffee or the mine in the football field which I had in mind for 20 years. I have boxes of ideas and details like that. It's pre-occupation to have a rich movie. For some people it's too much and too many details.

2010 Jutras (Quebec Oscars): Dolan’s I Killed My Mother Edges out Villeneuve’s Polytechnique

Xavier Dolan's I Killed My Mother edged out Denis Villeneuve's Polytechnique, claiming the top prize and collecting a total of five trophies, beating Villeneuve's film by one. Since Cannes last May, both films have been pitted against each other: while Villeneuve's film had the edge on the Quebecois box office front and received acclaim at Canada's Oscars (Genies), it was the debut film from Dolan that overwhelmed audiences on a global level, winning at several film festivals including three in Cannes

35th Cesars: A Prophet Sweeps the Cesars with Nine Wins

No surprises at the 35th Cesars, as A Prophet cleaned up in all major categories it was nominated in: Best Film, Best Director (Audiard), Best Original Screenplay, Best Cinematography (Stephane Fontaine), Best Editing (Juliette Welfling), Best Art Direction (Michel Barthelemy) and last but not least, one of my top 5 performance of the year, Niels Arestrup won for Best Supporting...

Cannes 2010 Predictions: Complete Recap

I spent all of last week divulging some of films that I expect to be in Cannes this year, and Screen Daily happened to do the same. There are a good number of films that are mentioned of both sites' lists, but I mention about twenty films that the trade makes no mention of, and of course they have got a long list as well of films that I either passed on as potential selections or I was totally oblivious as to their existence.

Cannes 2010 Predictions (Sidebars): Bertucelli, Bonello, Muntean, Fliegauf

Screen Daily made up their own Tips list with some surprise titles that I don't think will make it to Cannes (although I badly want to see Abdellatif Kechiche's Black Venus, I think he might return to Venice), and some titles that have a good shot which I did not mention (John Cameron Mitchell's Rabbit Hole) and plenty of their list mimics my picks - such as Julie Bertucelli's The Tree.

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