Killer Film's Christine Vachon and Gus Vant Sant are making a blue chip bet that the scribe behind Milk and director on Big Love is no fluke. I don't know anything about his bio, but my understanding of the biz is when you have an original script and vet indie producers sign-up and you are joined by the DP of My Own Private Idaho and Kids, and get to play dollhouse with quality actors the chances at failure are minimized.
Samuel Goldwyn Films know a thing or two about making a buck with faith-based dramas - the Kirk Cameron starring tale Fireproof made an astounding thirty-three million at the box office. No need in pointing out that there is a good segment of the population in red states portion of the U.S. who don't mind mixing the movie-going experience with some of the lessons learned on Sunday mornings, but I think a couple of prayers might be needed for this "message" film
She hadn’t been a bad mother, but like every young adult or old teen, I needed to analyze and dig into my adolescent years to be able to peacefully embark on a new chapter of my life. In three days, I wrote the first draft of “I Killed My Mother”.
So how does Yojiro Takita's Departures (Okuribito) beat out heavy favorites Israel's Waltz With Bashir and France's The Class? Smart pick ups and adequate marketing plans just don't cut it when it comes to promoting titles for Oscar campaigns and Sony Pictures Classics seemed to have botched, undersold both titles the moment the final five titles were announced.
Werc Werk Works are backing some “out there” filmmakers in Todd Solondz (Forgiveness) and Bela Tarr's rumoured last feature film (The Turin Horse), and now they are backing an “out there” project in Rob Esptein (The Times of Harvey Milk) and Jeffrey Friedman’s Howl.