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SODEC Coin for Bertrand Bonello, Maxime Giroux, RKSS & Delphine Girard

Quebec's SODEC (the Société de développement des entreprises culturelles) are giving some coin to future international co-productions with Bertrand Bonello's La Bête leading the...

2022 Tribeca Film Festival: Robert Machoian, Andrew Dosunmu & Andrew Bujalski In Line-Up

World premieres from American indie filmmakers Robert Machoian, Andrew Dosunmu and Andrew Bujalski are just three filmmakers in the 2022 Tribeca Film Festival's massive...

The Girl and the Spider | Review

A Roommate of One’s Own: The Zurcher Bros. Cast a Spell in Weirdo Existential Melodrama The two central characters of Ramon and Silvan Zurcher’s enchantingly...

Servants | Review

A Separate Peace: Ostrochovský Crafts a Church Noir for Sophomore Feature For his sophomore narrative feature, Slovak director Ivan Ostrochovský recuperates a uniquely chilling scenario...

The Tragedy of Macbeth | Review

O Brother Wherefore Art Thou: Joel Cohen’s Stunning Solo Shakespeare Joel Coen’s first solo effort as director sans brother Ethan is visually sumptuous, visceral Shakespeare:...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

Interview: Lukas Dhont – Coward | 2026 Cannes Film Festival

Following the Grand Prix–winning Close, Belgian filmmaker Lukas Dhont...

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