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The Good House | Review

Days of Wine & Mortgage: Weaver Soars in Drama on Denial & Redemption “It always begins with denial,” Hildy Good announces in the opening frames...

Petrov’s Flu | Review

Delirium Tremens: Serebrennikov Maddens with Post-Soviet Magical Realism Historically, Russian cinema (and literature) always tends to go for broke. Challenging narratives, endless characters, and opulent...

2022 Locarno Film Festival: Thomas Hardiman, Anna Gutto, Blandine Lenoir & Olivia Newman

Anna Gutto's directorial debut Paradise Highway (starring Juliette Binoche), Blandine Lenoir's third feature Annie Colère (starring Laure Calamy), Kilian Riedhof's sophomore film Vous n’aurez...

Un petit frère (Mother and Son) | 2022 Cannes Film Festival Review

Life in Rouen: Serraille Stacks Perspectives in Muted Tale of Immigration and Identity After taking home the Camera d’Or for her 2017 feature Jeune Femme,...

Continental Drift (South) | 2022 Cannes Film Festival Review

Conventional Liaisons: Baier Leans into the Comedy of Crisis Through Familial Rift Swiss director Lionel Baier completes the third section of an intended four part...

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Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

Interview: Lukas Dhont – Coward | 2026 Cannes Film Festival

Following the Grand Prix–winning Close, Belgian filmmaker Lukas Dhont...

Interview: Zou Jing – A Girl Unknown | 2026 Cannes Film Festival

A film project we've been tracking when the Critics'...

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