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2019 SXSW Film Fest Recap: Us, The Peanut Butter Falcon & Booksmart Lead Dylan Kai Dempsey’s Top 8

SXSW’s 2019 competition was dominated by talented women. Happily, this best-of-fest list contains several of their narrative achievements—plus two highly recommended out-of-competition docs. One...

Criterion Collection: 4 Months, 3 Weeks and 2 Days (2007) | Blu-ray Review

The crown jewel of the New Romanian Cinema was Cristian Mungiu’s controversial abortion drama 4 Months, 3 Weeks and 2 Days, which took...

The Heiresses (Las herederas) | Review

Inherit the Wind: Martinessi Explores Class and Desire in Impressive Character Study While they seem to have outlived their best of times, the two privileged...

Top 150 Most Anticipated Foreign Films of 2019: #105. Out Stealing Horses – Hans Petter Moland

Out Stealing Horses Norwegian director Hans Petter Moland reunites with Stellan Skarsgard for the fifth time in Out Stealing Horses (which follows their work in...

Top 150 Most Anticipated Foreign Films of 2019: #139. Last Dear Bulgaria – Aleksey Fedorchenko

Last Dear Bulgaria Russia’s Aleksey Fedorchenko is preparing his seventh feature, Last Dear Bulgaria, produced by the director himself alongside Andrey Saveliev, Artem Vassiliev (Dovlatov,...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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