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2019 Locarno Film Festival: Fabrice du Welz, Donzelli, Fukada, Ameur-Zaïmeche & Pedro Costa Selected

The first edition of the Locarno Film Festival under Lili Hinstin's leadership will include the world premiere to Fabrice du Welz's Adoration and Valérie...

American Horror Project Volume 2 | Blu-ray Review

In their continuing attempt to resurrect forgotten genre obscurities from the crumbling facades of horror’s heyday, Arrow Video took three years to curate the...

2019 Cannes Critics’ Panel: Day 6 – Corneliu Porumboiu’s The Whistlers

Making his way up the "Croisette ladder", Corneliu Porumboiu first arrived in Cannes (and helped launched what was known as the Romanian New Wave)...

Criterion Collection: Diamonds of the Night (1964) | Blu-ray Review

There’s a reason director Jan Nemec’s name isn’t immediately conjures in superficial conversations on the Czech New Wave, despite his haunting 1964 debut Diamonds...

Tracking Shot: Ana Lily Amirpour, Chad Hartigan & Sara Colangelo Shooting in April

“Tracking Shot” is a top of month featurette here at IONCINEMA.com that looks at the projects that are moments away from lensing. This April...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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