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Kings | Review

Ease on Down the Road: Ergűven Presents Tone-deaf, Head-Scratching Portrait of L.A. Race Riots Joining Kathryn Bigelow (whose searing Detroit, depicting the 1967 riots of...

Kodachrome | Review

Picture This: Raso’s Estranged Road Movie Wrecks At The Starting Gun Coming across like a thin coat of bright paint over dated decorative wallpaper sans...

Wildling | Review

The Kids Are Not Alright: Böhm Bares His Fangs In Tepid Feral Frightfest Children are scary enough without them being feral, and that fear is...

The Conversation – Cannes Predictions VI: Middle East Repped by Nuri Bilge Ceylan, Jafar Panahi & Hiner Saleem

We can anticipate a handful of items from the Middle East, Africa, and India will populate several sidebars, if not the competition itself. Turkey,...

The Conversation – Cannes Predictions II: La France

Perhaps more contentious than any other competition titles are the French language items jockeying for coveted slots which are announced last. Both Claire Denis...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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