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Friday’s Child | 2018 SXSW Film Festival Review

Edward's Coming of Age Thriller on the Fringe is a Big Mood Some films aren’t meant to be enjoyed, some instead exist to agitate and...

Ismael’s Ghosts (Director’s Cut) | Review

Call Me, Ismael: Desplechin Presents Jumbled Portrait of the Artist as a Dulled Man Perhaps not since the quill of Charles Dickens, wherein iconic Ebenezer...

2018 Tribeca Film Fest’s Viewpoint includes: Robert Machoian & Rodrigo Ojeda-Beck, Hagar Ben-Asher, Nathan Silver

Tribeca Film Fest’s Viewpoint section has some micro gems from some filmmakers we've come to champion here on the site with three items in...

Through the Looking Glass – The Top 50 Foreign Films of 2019: Picks #50 to #11

As we look forward to a plentiful year of new cinematic offerings in 2018, it’s also time to look even further into the horizon...

What’s Up Doc? Top 100: Park City, Psihoyos, Greene & Greenfield Launch 2018 Doc Season

Documentary filmmaking commonly doesn’t afford much celebrity status to its creators that works of fiction benefit from, this, combined with the scarcity of info...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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