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Ghostbusters | Review

Dose of a Ghost: Feig Delivers Funny, Feminized Franchise Entry Overshadowed by the ill will of an alarmingly misogynist fanboy culture since its initial inception,...

The Conversation: Cinema Italiano – 2016 Venice Film Festival Predictions

Looking towards the Lido, we’re just over three months away before the fourth quarter Fall Festival circuit kick off, and the final prestigious competition...

It’s Only the End of the World | 2016 Cannes Film Festival Review

Don’t They Know?: Dolan Delivers a Dud with Familial Drama Though no stranger to working with French stars, Quebecois filmmaker Xavier Dolan makes his first...

Too Late For Tears | Blu-ray Review

Today, director Byron Haskin is best remembered as the director of the 1953 version of The War of the Worlds, and prior to his...

Viktoria | Review

Milk of Sorrow: Motherhood and Metaphors Structure Vitkova’s Somber Debut Using intergenerational familial dilemmas to convey significant historical upheaval is certainly nothing new to fiction...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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