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True Crimes | 2016 Warsaw Film Festival Review

Cold Communist Files: Avranas Paints Unorthodox Procedural into Mincing Eurotrash A late addition to the Greek Weird Wave thanks to his 2013 sophomore title Miss...

Miss Peregrine’s School for Peculiar Children | Review

Let’s Do the Time Loop Again: Burton’s Back with Another Belabored Children’s Fantasy The time has long since passed when Tim Burton was able to...

Zoology | 2016 Toronto Int. Film Festival Review

Tale of Tails: Tverdovsky’s Myopic Modern Fable Chases Its Own Tail Zoology. You ask, what does it mean? For the purposes of Ivan Tverdovsky’s sophomore...

The Light Between Oceans | Review

To the Lighthouse: Cianfrance Labors Through Melodrama in Handsome Period Piece Director Derek Cianfrance manages a series of firsts with his fourth feature, including his first...

Criterion Collection: Ingrid Bergman: In Her Own Words | Blu-ray Review

Three time Academy Award winner Ingrid Bergman (Gaslight; Anastasia; Murder on the Orient Express), one of the most revered, versatile actors celebrated both as...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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