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It’s Only the End of the World | 2016 Cannes Film Festival Review

Don’t They Know?: Dolan Delivers a Dud with Familial Drama Though no stranger to working with French stars, Quebecois filmmaker Xavier Dolan makes his first...

Too Late For Tears | Blu-ray Review

Today, director Byron Haskin is best remembered as the director of the 1953 version of The War of the Worlds, and prior to his...

Viktoria | Review

Milk of Sorrow: Motherhood and Metaphors Structure Vitkova’s Somber Debut Using intergenerational familial dilemmas to convey significant historical upheaval is certainly nothing new to fiction...

Barbershop: The Next Cut | Review

Southside with You: Lee Instills Relevance to Third Franchise Chapter Clearly, there are more pressing issues than the consistent lack of acknowledgement for black artists...

One More Time | Review

Begin Again: Edwards’ Satisfying Sophomore Film Utilizes Walken Thanks to the overwhelming trend of quirk, cliché, or contrivance evident in most American indie offerings (whether...

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2026 Oscars: The Golden Globe Six Among the International Feature Shortlist

The Oscars have announced the shortlists in 12 categories...

Interview: Ntobeko Sishi – Laundry (2025)

We first became aware of South Africa filmmaker Zamo...

Interview: Josh Safdie – Marty Supreme

Marty Supreme marks a new evolution in the work...

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