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Viktoria | Review

Milk of Sorrow: Motherhood and Metaphors Structure Vitkova’s Somber Debut Using intergenerational familial dilemmas to convey significant historical upheaval is certainly nothing new to fiction...

Barbershop: The Next Cut | Review

Southside with You: Lee Instills Relevance to Third Franchise Chapter Clearly, there are more pressing issues than the consistent lack of acknowledgement for black artists...

One More Time | Review

Begin Again: Edwards’ Satisfying Sophomore Film Utilizes Walken Thanks to the overwhelming trend of quirk, cliché, or contrivance evident in most American indie offerings (whether...

Confession of a Child of the Century | Blu-Ray Review

In 2012, French director Sylvie Verheyde mounted an ambitious, English language adaptation of Alfred de Musset’s controversial 1836 autobiographical novel Confession of a Child...

The Tribe | Blu-ray Review

One of the most pleasurable discoveries out of the 2014 Cannes Film Festival was Ukrainian director Miroslav Slaboshpitsky’s debut The Tribe, which won three...

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Love (Kjærlighet) | Review

Ain’t Nothin’ But Sex Misspelled: Haugerud Continues Quiet, Earnest...

Sister Midnight | Review

Crazy On You: Kandhari’s Strange Fantasy of Madness It’s been...

The Damned | Review

The Damned Do Cry: Minervini Details a Doomed Mission For...

Exclusive Clip: It’s Chill Vibes (for Now) in Pedro Pinho’s ‘I Only Rest In The Storm’

After premiering The Nothing Factory in the Directors' Fortnight...

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