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Barbershop: The Next Cut | Review

Southside with You: Lee Instills Relevance to Third Franchise Chapter Clearly, there are more pressing issues than the consistent lack of acknowledgement for black artists...

One More Time | Review

Begin Again: Edwards’ Satisfying Sophomore Film Utilizes Walken Thanks to the overwhelming trend of quirk, cliché, or contrivance evident in most American indie offerings (whether...

Confession of a Child of the Century | Blu-Ray Review

In 2012, French director Sylvie Verheyde mounted an ambitious, English language adaptation of Alfred de Musset’s controversial 1836 autobiographical novel Confession of a Child...

The Tribe | Blu-ray Review

One of the most pleasurable discoveries out of the 2014 Cannes Film Festival was Ukrainian director Miroslav Slaboshpitsky’s debut The Tribe, which won three...

War on Everyone | 2016 Berlin Intl. Film Festival Review

Let’s Be Bad Cops: McDonagh’s U.S. Visit an Overworked Episode Director John Michael McDonagh makes his first foray to the US with third feature, War...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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