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Miss Julie | Review

Touch of Class: Ullmann’s Update of Classic Text Ultimately Lifeless There are a scant few equals to the texts of playwright August Strindberg’s, his 1888...

2015 Sundance Film Festival Predictions: Robinson Devor’s You Can’t Win

Films gods be damned. After guesstimating its eventual arrival on the film fest circuit and tracking it since it first went into production back...

2015 Sundance Film Festival Predictions: Matt Ross’ Captain Fantastic

Unlike say a micro-budgeted indie with enough coin in the backend for post-production, chances are slim that this modestly priced indie with A-list cast...

Ornette: Made in America | Blu-ray Review

Shirley Clarke’s final feature film emulates the free form style of its subject, legendary jazz musician Ornette Coleman, playfully editing fragments of live performances,...

Viva la Liberta | Review

Dead Ringers: Ando’s Self-Adapted Switcheroo a Highlight for Servillo But Little Else Politics and doppelgangers have hewn a surprisingly wide berth throughout decades of cinema,...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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