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Begin Again | Blu-ray Review

After having been picked up for a cool 7 million dollar and some change price tag by the Weinsteins at the Toronto Int. Film...

Alexander and the Terrible, Horrible, No Good, Very Bad Day | Review

Privilege Parable: Arteta’s Trifling Adaptation of Famed Children’s’ Novel Perhaps the most curious aspect of the live action Disney version of Judith Viorst’s 1972 children’s...

European Film Awards: Vogt, Östlund, Pawlikowski, Zvyagintsev
, Glazer & Ceylan Among 50 Contenders

This year’s European Film Awards are officially out of the gates with a not so lean 50 film submissions to select from. The 27th...

The Vanished Elephant | 2014 TIFF Review

A Puzzle within a Puzzle within a Puzzle Initially, The Vanished Elephant, Javier Fuentes-León’s follow-up to the well-received ghost story, Undertow, has a surprisingly unpolished...

Cut Snake | 2014 TIFF Review

Out of the Past: Ayres’ Neo-noir is a Pulpy Brood With a little luck, Australian director Tony Ayres’ latest film, Cut Snake will evolve beyond...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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