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Ornette: Made in America | Review

A high point for U.S. manufacturing: Jazz genius Ornette Coleman Shirley Clarke’s 1984 documentary ‘Ornette: Made in America’ is a portrait of music visionary and...

Sight & Sound Magazine’s Gift to Cinephiles: The Hitch’s Vertigo vs. Welles’ Kane Debate

I fondly remember the glee I had at xeroxing from library archives a good chunk of Sight & Sound's top favorite list back in...

2012 Midnight Madness section The ABCs of Death, Hellbenders and Seven Psychopaths

Midnight Madness programmer Colin Geddes might have just topped himself as 2012 edition already looks to be a legendary year with 9 world preems,...

The Well Digger’s Daughter | Review

Shallow Trench: Auteuil’s Debut a Bland Mush Certainly one of the most prolific performers to come out of France over the past few decades, Daniel...

Goodbye, First Love | Review

Bonjour Tristesse: Mia Hansen-Love Tears Apart Hearts Returning with her third film, Goodbye, First Love, Mia Hansen-Love revisits themes of separation and grief after the...

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2026 Cannes’ La Résidence: Pillion’s Harry Lighton & Toxic’s Saulé Bliuvaité Among Half Dozen Selected

The Cannes Film Festival’s La Résidence is welcoming Harry...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

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