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The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas Bungles Political Espionage Of the many significant issues severely hobbling The Wizard of the Kremlin, the...

Strawberries (La más dulce) | 2026 Cannes Film Festival Review

Fruit on the Vine: Marrakchi Harvests Bitter Justice “We give our bodies. All that for peanuts,” is an anguished remonstrance from the protagonist in Strawberries,...

2026 Cannes Film Festival Predictions: Palme d’Or – Part II

Welcome back to the second portion of our Cannes Film Festival Competition predictions. Earlier we had ten titles jostling among our prognostications; today we...

2026 Cannes Film Festival Predictions: Midnight, Cannes Premiere, Special Screenings, Out of Comp

Before we dive headfirst into full-on Palme d’Or predictions tomorrow (with a part deux that will drop brunch time on Sunday) - we now...

2026 Berlinale: Teodora Ana Mihai, Ulrike Ottinger, Hong Sangsoo, Gabe Klinger & Jérémy Comte Selected

Just before they unveil the titles competing for the Golden Bear, we now have a proper overview of some of the other savoury items...

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Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

Interview: Lukas Dhont – Coward | 2026 Cannes Film Festival

Following the Grand Prix–winning Close, Belgian filmmaker Lukas Dhont...

Interview: Zou Jing – A Girl Unknown | 2026 Cannes Film Festival

A film project we've been tracking when the Critics'...

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