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2025 Sundance: Laura Casabé, Flora Lau, Vladimir de Fontenay & Chloé Robichaud in World Cinema Dramatic Comp

The long-awaited film by Flora Lau (LUX), Chloé Robichaud's take on a Quebec classic (1970's Deux Femmes en or) in Two Women, Vladimir de...

Emilia Pérez | Review

Risky Business: Audiard Surprises with Vibrant Genre Musical Although it’s assembled from unlikely, even questionable sources, Jacques Audiard’s latest feature, Emilia Pérez, a genre...

Anora | Review

Fools Russia In: Baker’s Bangin’ Screwball Comedy At this point in his career, filmmaker Sean Baker seems to have covered all the major facets of...

The Apprentice | Review

The Devil and Donald Trump: Abbasi Reconstructs the Rise of a Crony Capitalist Among the many wise observations written by nineteenth century Englishman Lord Acton,...

And Their Children After Them | 2024 Venice Film Festival Review

Teenage Wasteland: Boukherma Bros. Sprawl with Coming-of-Age Melodrama French directing twins Ludovic & Zoran Boukherma swing hard with their fourth feature, And Their Children After...

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Sister Midnight | Review

Crazy On You: Kandhari’s Strange Fantasy of Madness It’s been...

The Damned | Review

The Damned Do Cry: Minervini Details a Doomed Mission For...

Exclusive Clip: It’s Chill Vibes (for Now) in Pedro Pinho’s ‘I Only Rest In The Storm’

After premiering The Nothing Factory in the Directors' Fortnight...

Caught by the Tides | Review

The Tide is High: Zhangke Splices Thwarted Romance Across...

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