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The Student | Review

Class Act: Serebrennikov Illustrates the Perils of Fundamentalism Kirill Serebrennikov, one of several rising auteurs from Russia’s troubling political regime, reaches his widest platform yet...

Through the Looking-Glass…Top 100 Most Anticipated Films of 2018: #100-11

As the cinematic landscape begins to take shape with the upcoming editions of Sundance, Berlin, and Rotterdam, here are 100 titles of note to...

2016 Warsaw Film Festival: The Comrade Who Came in from the Cold

As Poland’s capital, Warsaw is representative of the country’s rich and complex historical legacy, something which can’t be discussed without a thorough understanding of...

TIFF 2013’s CWC Includes Latest from Spielmann, Eimbcke, Rasoulof, Seidl & Corneliu Porumboiu

Final batch of TIFF titles were announced today and among the international hodgepodge of items trickling we find Berlin (Golden Bear winner Child's Pose),...

Gondry’s Mood Indigo Opens, while Wheatley, Edmands, Heinzerling Pack Karlovy Vary’s 48th Edition

Michel Gondry's Mood Indigo (L’écume des jours) was a surprise no-show in Cannes this year (his film debuted theatrically in France the previous month)...

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The Phoenician Scheme | Review

Much Ado About Fussing: Anderson Spills More Twee The Wes...

Audrey Diwan’s “Emmanuelle” Skipping Theatrical for a Decal On Demand Release

It world premiered at the San Sebastian International Film...

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