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The Conversation: Time for TIFF 2019 – Predictions!

The Toronto International Film Festival is set to unspool its latest monolithic program. A major cue to set Oscar season into motion, the line-up...

Trumbo | Review

The Brave One: Roach Recapitulates Black List Era Hollywood Examining the past from the safer perspective of our more enlightened period, Jay Roach’s Trumbo is...

Sean Durkin, Jane Campion, Rowe & Franco: Top 15 Most Anticipated Miniseries or Made for Television Films of 2013

Here at IONCINEMA.com, our interests with film extends into the world of the occasional television mini-series or made for TV project, a place were...

The Black List Update: Picks 5 to 1 of 2007

Next week is when hopeful screenwriters who've had one of their scripts circulate the respective production houses are hoping that their screenplay gets a couple of extra bites. Now in it's sixth year, it'll also be a time when curious onlookers such as film executives, development people, agents and hardcore cinephiles take a gather at a list that emphasizes quality and original writing. blcklst.com has been all spruced up for the occasion --- so you should definitely check back there to see what 2010 will reveal -- and if you're like us and like to revisit Best of Lists of the previous years. Last year over 300 executives contributed their opinion to make up a Black List that had a Muppet Movie (not the Jason Segel project) in the number one spot and The Social Network at number 2.

The Black List Update: Picks 15 to 11 of 2007

What I like most about the annual Black List is that there isn't any favoritism according to the projected financial size of a screenplay. For fun, you could scan down any list since its inception and you'll find equal parts indie/Sundace/small budget and studio/multiplex/limitless budgets. If you look at the price tag for 2007's top screenplay (Recount) and say picks #14 and #15 which have a budget that range somewhere between 50 to 100 times more.

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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