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Cinema Italiano: 2015 Venice Film Festival Predictions

Now that we’ve come out of the Cannes ether, we can examine several of the names glaringly absent from the lineup that may potentially...

2015 Sundance Trading Card Series: #35. Logan Miller (Take Me to the River)

Eric Lavallee: Name me three of your favorite “2014 discoveries” ... Logan Miller: Alejandro Jodorowsky’s graphic novel The Incal, Raymond Pettibon, and the Private island...

Low Down | Review

Groovin’ High: Hawkes Nuanced Performance Elevates Albany Memoir Despite taking home the best cinematography prize for Christopher Blauvet (who also provided superb camerawork on Kelly...

2014 Sundance Institute Music & Sound Design Labs: Sandilands & McNicol, Marc Silver, Mike Day & Ross Bros. to Make Sweet Music

Take a look at the end credits of any given Sundance preemed title, and you'll more than likely find the name of Michelle Satter...

West Wants Revenge; “In a Valley of Violence” Lassoes Travolta & Hawke

Set about half a century after Kelly Reichardt's wagon wilderness Meek's Cutoff, Ti West is switching gears. A planned move away from the comfort...

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2026 Cannes Critics’ Panel: Were Fatherland & Fjord Tops of the Fest? We Compare Grids!

Fatherland and Fjord towered above the rest on our...

The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the...

2026 Cannes Critics’ Panel: Fatherland & Fjord Rated Top Films of Cannes!

The Palme d'Or winner and the Best Director winners...

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