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2025 Cannes Critics’ Panel: Day 4 – Ari Aster’s ‘Eddington’

Unless we count some items he produced, Ari Aster is one of the filmmakers coming to Cannes without any previous Croisette history. A standout...

IndieSponge Episode: 2025 Cannes Palme d’Or Competition Reactions

We haven't yet relaunched, but Kevin Jagernauth and I wanted to have a quick conversation about the nineteen films (plus no-shows) selected for the...

2025 Cannes: New Palme d’Or Comp Faces in Ari Aster, Hafsia, Hayakawa, Hermanus, Laxe, Carla Simón & Mascha Schilinski!

Gone are the days of the old boys club (although the Dardenne Bros will be attempting to win the record-breaking third Palme), and there...

2024 Directors’ Fortnight Golden Coach Award: Andrea Arnold (and “Bird”) Honored in Cannes

British filmmaker Andrea Arnold is packing her bags for the Cannes Film Festival. She'll need to make some space in her luggage for Directors'...

May December | Review

Tarnished Angels: Haynes Curates a New Dazzling Cult Classic Had Brian De Palma been keen on rehashing Douglas Sirk instead of Hitchcock, he might have...

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Titanic Ocean | 2026 Cannes Film Festival Review

Deep Sea, Baby: Kotzamani Goes Down Where It’s Wetter Greek...

2026 Cannes Critics’ Panel: Day 7 – Pedro Almodóvar’s ‘Bitter Christmas’

The only title to have had its world premiere...

Minotaur | 2026 Cannes Film Festival Review

The Cranes Aren’t Flying: Zvyagintsev Unleashes Primordial Tendencies “They always...

2026 Cannes Critics’ Panel: Day 7 – Andrey Zvyagintsev’s ‘Minotaur’

We nearly lost this master filmmaker during the Covid...

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