I’m not sure what to make of this – but this year Top 20 batch of film’s have death as a focal point in the plot or use bereavement thematically: death of a dream, death of a soul, death out of defiance and death of a culture, society and way of life. I don’t really have a fascination with death, but I’ve noticed that my own mortality and the eventual passing of my loved ones seem to have embedded itself in some aspects of my daily routine.
It was with hurricane-like winds rocking the outside of the Palais, that the winners were announced for the 61st edition, and surprisingly, the winners weren’t as political as what one my have thought. Sean Penn’s jury had to wait until the end of the festival to find its winner for The Palme d'Or and it was director Laurent Cantet (Heading South) who took the top honors with a portrait of a “school” year in the life of a classroom of young teens and a prof still not at wits end.
Au Crépuscule (Dusk)
Lithuania’s Sharunas Bartas will have his tenth feature ready for presentation in 2020. Au Crépuscule (Dusk) was financed by Film Center Serbia/Serbia’s...