The “auteurist theory” is put into practice in our final TEN – and not surprisingly, 4 of the top 10 projects I’d wait in a line to see on opening day have no distributor in place for the U.S market. The ten filmmakers (make that 11 with the Coens) represent a global sampling of what one might consider challenging cinema. I hoped that you enjoyed this top 10, and same time next year we should have some talk backs/forums so you guys can tell me what was omitted. Bon cinema!
Dangerous Finds: Catak Mines the Impossibility of Idealism in Departmental Dilemma
Sometimes maintaining the semblance of a ‘safe space’ means sublimating self-righteousness, a lesson learned...