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The Dinner | Review

Principles of Privilege: Moverman Dresses Morality Drama in American Clothes Susan Sontag once famously wrote, “The white race is the cancer of human history,” an...

War on Everyone | Blu-ray Review

Following his 2011 debut The Guard and his moody 2014 sophomore feature Calvary, British filmmaker John Michael McDonaugh hits a false note with his first...

Aki Kaurismaki’s “The Other Side of Hope” Leads Nicholas Bell’s 2017 Berlin Intl. Film Fest Top Ten

Unfortunately, Berlinale 2017, the 67th edition of the film festival, may be remembered as something of a letdown. Although several surprises were to be...

Where is Kyra? | 2017 Sundance Film Festival Review

Identification of a Woman: Dosunmu’s Exacting Arthouse Drama of Suffocation and Alienation Nigerian born director Andrew Dosunmu branches out with an unexpectedly somber portrait of...

2017 Sundance Film Festival Predictions: Jennifer Fox’s The Tale

Not unlike Gabriela Cowperthwaite, here is the example of another female docu filmmaker who broke out at Sundance and has now climbed into fiction narrative territory....

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...

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