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Sundance ’15: Zobel, Bujalski, Brice & Kris Swanberg Among U.S. Dramatic Competition

Last year, it was Damien Chazelle's richly texturized, foot-tapping, finger-snapping sophomore pic Whiplash that instantly became the "it" film to beat in the sixteen competition...

Jessabelle | Review

Ring Her Bell: Greutert Steps Outside Franchise For Promising Results Considering that Jessabelle is directed by editor and eventual director of two Saw films, Kevin...

2014 Independent Film Week Includes Latest From Barry Jenkins, Alistair Banks Griffin, Passon, Frammartino & Landes

On the heels of the 39th edition of the Toronto Int. Film Festival (Sept 4-14), IFP's Independent Film Week is where a plethora of...

Wigon’s Heart Machine, Meyerhoff’s Unicorns, Levine’s Wild Canaries & Margaret Brown’s The Great Invisible In 2014 SXSW Comp Line-Up

Not sure if there is a Short Term 12 equivalent in this year's Narrative Feature Comp, but on paper SXSW programmers are serving up...

Film Festival Coverage Guide: 2013 Sundance

Here is a complete listing of the films that were shown/covered by the IONCINEMA.com team comprised of Nicholas Bell (NB), Jordan M. Smith (JS)...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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