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NYFF 2010: Cannes, Venice and Clint Eastwood Pack Impressive Slate

It's another "Cannes heavy" selection this year for the 48th edition of the NYFF. With the majority of the titles coming from the Croisette (look out for some personal faves in Cristi Puiu's Aurora and Michelangelo Frammartino's Le Quattro Volte) and the Lido (Abdellatif Kechiche's Black Venus, Kelly Reichardt's Meek’s Cutoff, Hong Sang-soo's Oki’s Movie, Pablo Larrain's Post Mortem, Patrick Keiller's Robinson in Ruins, Alexei Fedorchenko's Silent Souls, plus Raul Ruiz's miniseries Mysteries of Lisbon), I figure it be fun to take a closer look at the non-Cannes/Venice offerings.

Cannes Wish List 2010: 20 New Films to Hope For

I've decided to come up with not a "revised" list of predictions per se, but instead, an updated list of 20 films that I both expect to announced in two weeks from now and that I'm especially looking forward in covering for this site.

42nd Director’s Fortnight: New Logo, New Site and a New Direction?

New logo. New website. New artistic director. Olivier Pere exited to become the head honcho at Locarno, so the Director's Fortnight, also known as La Quinzaine des Réalisateurs, will be Frederic Boyer's baby this year. The mandate will remain the same, but will the tastes differ? Pere's legacy includes some of my favorites over the past decade such as Corneliu Porumboiu's 12:08 East of Bucharest...

Cannes 2010 Predictions: Complete Recap

I spent all of last week divulging some of films that I expect to be in Cannes this year, and Screen Daily happened to do the same. There are a good number of films that are mentioned of both sites' lists, but I mention about twenty films that the trade makes no mention of, and of course they have got a long list as well of films that I either passed on as potential selections or I was totally oblivious as to their existence.

Tracking Shot November 2009: Beginners, Black Swan, Let Me In

At the beginning of every month, IONCINEMA.com's "Tracking Shot" features a handful of projects that we feel are worth signaling out and that are moments away from lensing. As we get closer to holiday dates productions tend to drop, so this November we are keeping tabs on only a handful of projects.

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