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Dites-lui que je l’aime (Tell Her I Love Her) | 2025 Cannes Film Festival Review

The Family Tree Grows Tangled Roots In Romane Bohringer’s Metafictional Feature Family can make you and family can break you apart. The ties that bind...

Final Cut?: Lou Ye’s “An Finished Film” is…. Not Finished

It was arguably the most engaging film at this year's Cannes (Thierry Frémaux might have included it in the competition if not for Caught...

Women Talking | Review

Polley's Fierce and Tender Adaptation of Miriam Toews' novel is a Stirring Exploration of Faith, Love & Survival There may not be a word in...

2022 Indie Spirits Awards Noms: The Cathedral, Palm Trees and Power Lines, Murina & Aftersun Are Glowing

Everything Everywhere All At Once, Tár, Women Talking and Bones and All are the heavyweight indies that will be properly feted the day before...

The Fabelmans | Review

All the Camera Allows: Spielberg Revisits Childhood in Semi-Autobiographical Portrait Evident in many of the titles from his iconic filmography, whether science fiction, adventure or...

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Team Sport: Suzanne Lindon Places Pierfrancesco Favino in Thorny Situation in ‘L’Équipe’

With Gustave Kervern's Voilà, c'est fini and Guillaume Nicloux's...

Her Private Hell | Review

What Have They Done to Your Daughters?: Refn Returns...

Sheep in the Box | Review

I’m a Cyborg, But That’s OK: Koreeda Explores Cruise...

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