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Foreign Spotlight: The Boss Of it All

Lars Von Trier is a polarizing director who makes polarizing films. It seems critics and audiences either love or hate Mr. Von Trier as a director and either love or hate the films he directs. Known for his quirky, phobia-induced behavior, his name brings pretensions to any film he releases. His career has gone through several phases. He debuted with his hypnotic, technically proficient Europa trilogy (The Element of Crime, Epidemic and Europa) which were filmed with tight pre-planned shots and obscure lighting schemas.

Live from Cannes: Day 8

Yesterday I came close to tearing up and it might be the sentimental favorite for the jurors for this fest. It’s got a pulse,...

Live from Cannes: Day 2 (Programming Politics)

Carpet Burns: Yesterday Cameramen were ready for romance. Despite its reputation of being the paramount film festival in the world, the Cannes film festival organizers...

Live from Cannes: Day 1 (Past & Present)

Jet lagged journalists make it their temporary workplace; film market folk make deals in the millions and the jet set make it their playground....

Interview: Julia Loktev (Day Night Day Night)

We wanted to be at eye level with her, but not always looking in her eyes, there was a lot of profiles, and sometimes at the back of her head but mostly at her which was very difficult in the middle of the street where it’s impossible to compose with so many unpredictable things happening all around, the best you can do is sort of aim and stick to her and try to find her in this crowd.

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The Stranger: Àlex Lora Visits Collective Wounds in ‘The Fissure’

Spanish filmmaker Àlex Lora (winner of Sundance's Grand Jury...

Pompei: Below the Clouds | Review

Staples of Naples: Rosi Sifts Through Timeworn Sediments The past...

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