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Live from Cannes: Day 10 (Parting Thoughts)

I don’t think that the event itself should change (perhaps the Un Certain Regard section should look towards improving – some films that were...

Magnolia finds friend and ‘Foe’

In my books David Mackenzie has in his young career, already established himself as a U.K director worthy of auteurist studies. His breakthrough film...

Foreign Spotlight: The Boss Of it All

Lars Von Trier is a polarizing director who makes polarizing films. It seems critics and audiences either love or hate Mr. Von Trier as a director and either love or hate the films he directs. Known for his quirky, phobia-induced behavior, his name brings pretensions to any film he releases. His career has gone through several phases. He debuted with his hypnotic, technically proficient Europa trilogy (The Element of Crime, Epidemic and Europa) which were filmed with tight pre-planned shots and obscure lighting schemas.

Live from Cannes: Day 8

Yesterday I came close to tearing up and it might be the sentimental favorite for the jurors for this fest. It’s got a pulse,...

Live from Cannes: Day 2 (Programming Politics)

Carpet Burns: Yesterday Cameramen were ready for romance. Despite its reputation of being the paramount film festival in the world, the Cannes film festival organizers...

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Interview: Hédi Zardi Atlas Workshop – 2026 Marrakech Film Festival

The Atlas Workshops provide artistic and professional support to...

Possible Love | Review

Blue is the Warmest Collar: Chang-dong Prepares a Touch...

Lee Chang-dong – Possible Love

For his seventh feature film, Korean master filmmaker Lee...

Interview: Travis Knight – Wildwood

Among those that play the long game we could...

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