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Weekend Rental: The Decline of the American Empire

Tomorrow the Cannes film festival will close with a film from Canadian filmmaker Denys Arcand.

Live from Cannes: Day 10 (Parting Thoughts)

I don’t think that the event itself should change (perhaps the Un Certain Regard section should look towards improving – some films that were...

Magnolia finds friend and ‘Foe’

In my books David Mackenzie has in his young career, already established himself as a U.K director worthy of auteurist studies. His breakthrough film...

Foreign Spotlight: The Boss Of it All

Lars Von Trier is a polarizing director who makes polarizing films. It seems critics and audiences either love or hate Mr. Von Trier as a director and either love or hate the films he directs. Known for his quirky, phobia-induced behavior, his name brings pretensions to any film he releases. His career has gone through several phases. He debuted with his hypnotic, technically proficient Europa trilogy (The Element of Crime, Epidemic and Europa) which were filmed with tight pre-planned shots and obscure lighting schemas.

Live from Cannes: Day 8

Yesterday I came close to tearing up and it might be the sentimental favorite for the jurors for this fest. It’s got a pulse,...

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The Voice of Hind Rajab | Review

In a Child’s Name: Ben Hania’s Grueling Portrait of...

Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Óliver Laxe has been on a whirlwind promotional tour...

Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...

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