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Weekend Rental: The Decline of the American Empire

Tomorrow the Cannes film festival will close with a film from Canadian filmmaker Denys Arcand.

Live from Cannes: Day 10 (Parting Thoughts)

I don’t think that the event itself should change (perhaps the Un Certain Regard section should look towards improving – some films that were...

Magnolia finds friend and ‘Foe’

In my books David Mackenzie has in his young career, already established himself as a U.K director worthy of auteurist studies. His breakthrough film...

Foreign Spotlight: The Boss Of it All

Lars Von Trier is a polarizing director who makes polarizing films. It seems critics and audiences either love or hate Mr. Von Trier as a director and either love or hate the films he directs. Known for his quirky, phobia-induced behavior, his name brings pretensions to any film he releases. His career has gone through several phases. He debuted with his hypnotic, technically proficient Europa trilogy (The Element of Crime, Epidemic and Europa) which were filmed with tight pre-planned shots and obscure lighting schemas.

Live from Cannes: Day 8

Yesterday I came close to tearing up and it might be the sentimental favorite for the jurors for this fest. It’s got a pulse,...

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2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse...

Interview: Yorgos Lanthimos & Jerskin Fendrix – Bugonia

There is a chaotic violence at the core of...

Exclusive Trailer: Ashes to Ashes, Toronto to Oslo in Bohdanowicz’s ‘Measures for a Funeral’ (2025)

After premiering at the 2024 Toronto International Film Festival...

2025 SODEC Coin for New Projects by Philippe Lesage, Annie St-Pierre & Charlotte Le Bon

Quebec’s SODEC (the Société de développement des entreprises culturelles)...

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