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2021 Cannes Critics’ Panel: Day 6 – Ryusuke Hamaguchi’s Drive My Car
What an extraordinary year for Ryûsuke Hamaguchi. Earlier in 2021, he was at the Berlinale with Wheel of Fortune and Fantasy (read our Nicholas Bell's...
Enforcement [Video Review]
Cop(s) Out: Hviid & Olholm Provide Neutral Portrait Prizing Familiar Perspectives
Cinema can certainly successfully exist as both a statement and a sentiment, and...
Judas and the Black Messiah | Review
Only God Forgives: King Resurrects Fred Hampton in Significant, Unequivocal Portrait of Betrayal and Assassination
On December 4, 1969, Fred Hampton, chairman of the...
Ma Rainey’s Black Bottom [Video Review]
It’s Rainey’s Men: Wolfe Wows with Ardent Adaptation of Eloquent Wilson Play
August Wilson, arguably the most notable and influential Black playwright lionized for his...
Bad Hair | Review
Witches Get Stitches: Simien Retrofits Folklore with Contemporary Subtexts in Horror Satire
Justin Simien recuperates a particular time and place with a jaunty but ultimately...
