Running between August 31st and September 10th, the 68th edition of the Venice Film Festival would be a dandy last edition for festival impresario Marco Muller even if he doesn't nab the likes of Wong Kar-wai's The Grandmaster, Walter Salles' On the Road, Fernando Meirelles' 360 and/or Zhang Yimou's Heroes of Naking. In his final year of contract, with approximately twenty-two competition slots (minus the already confirmed opening film from Italian res George Clooney and his TIFF-bound The Ides of March), this thursday's announcement should be heavy on items from the the U.K along with a robust presence from European filmmakers headed by Roman Polanski's Carnage.
About half of our critics managed to see the unique screening for Michael earlier today -- it was given less screenings perhaps because it is the other film in this year's Main Competition from a newbie filmmaker. While Julia Leigh comes from a book author background, this import from Austria comes from a veteran casting director. Info was mum on the film beforehand, and there was a reason for it.
We're about 36 hours away from Cannes Film Festival's big unveiling of the 2011 line-up and while the Main Comp should bare very little surprises (see the math below), the one title whose status is still a mystery and could break into the 20 or so titles is Carlos Reygadas' Post Tenebras Lux.
Many critics would agree that Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives is a great addition to any foreign film/art-house catalogue, but when it comes to distributing Palme d'Or winning films you need a shrewd, savvy studio head to bring the film to market. Strand Releasing added value to their investment by pimping out the one-sheet via the gifted hands of an award-winning comic book artist and cartoonist in Chris Ware.
I went 10/13 with my predictions of the Indie Spirits today -- my misfires came in the Best Picture and Best Actress categories thinking that Winter's Bone had the edge over Black Swan. Not that Winter's Bone didn't have a good night (it won in the Best Supporting categories - I thought that Bill Murray had the edge over John Hawkes is where I flubbed as well) but it was indeed a Black Swan event -- with additional wins for Directing (Darren Aronofsky) and Cinematography (Matthew Libatique). You can find the winners in bold below.