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TIFF 2012: World Preems from Abrahamson, Jacir, Sion Sono Plus Loznitsa’s Masterwork “In The Fog” Make up the CWC

The globe-trotting section of this year's Contemporary World Cinema programme has your Sundance (in a pair of excellent titles in Ava DuVernay's Middle of...

Cannes 2012: Paradise: Love | Review

Seidl Pads out his Humanist/Colonialist Fairytale a bit too Thinly Right off the bat, the first of Ulrich Seidl's Paradise trilogy - this first one...

Key Players in the 2012 Cannes Film Market: Coproduction Office

Founded by Philippe Bober in the late 80's, the Coproduction Office -  a Sales Agent/Production Company based out of Paris comes to Cannes with...

2012 Cannes Film Festival Jury: Helmers Andrea Arnold, Hiam Abbass, Alexander Payne and Raoul Peck Join Moretti

Five filmmakers in Alexander Payne, the Cannes loved Andrea Arnold, actress turned nouveau director Hiam Abbass (upcoming Inheritance, Jerusalem, I Love You) and Raoul Peck...

Whore’s Glory | Review

Sugartime: Michael Glawogger Brings Us a Bleak Look at Third World Brothel Workers If Michael Glawogger’s Whores’ Glory, the third installment in his trilogy of...

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Pillion | Review

Interview: György Pálfi & Zsófia Ruttkay – Hen

In 2025 cinema embraced the POV of our winged...

2025 Les Arcs Film Festival: New Lisa Brühlmann, Mar Coll & Lina Soualem Projects In Development

A longstanding champion of emerging European cinema, the Les...

Nouvelle Vague | Review

Make Me Lose My Breath: Linklater Meddles in Manicured...

Interview: Alejo Moguillansky – Pin de Fartie

Embracing Samuel Beckett's Endgame, Fin de Partie creates a...

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