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Rimini | Review

Bravo New World: Seidl Returns with Desolate Portrait of Fallen Hustler There’s always a healthy thread of humor lurking under the despair of Ulrich Seidl’s...

Top 200 Most Anticipated Foreign Films of 2023: #169. Daniel Hoesl’s Veni Vidi Vici

Veni Vidi Vici After checking in with the powerful elite with the '20 docu Davos, Daniel Hoesl moved into a screenplay that is not that...

2022 Venice Film Festival: Alice Diop, Poitras, Panahi & Iñárritu Among Front-Runners for the Golden Lion!

With only one title left to be unveiled (for the time being, let's call it the August 30th pre-opener as it will be actually...

2022 Venice Film Festival: 70 Predictions (Part II) Aroonpheng, Lindholm, Hogg & Rolf de Heer

Only hours before TIFF unveil what should be a sizeable amount of their line-up (and in the same sweeping motion confirm a lot of...

2022 Cannes Film Festival: Eight Possible 11th Hour Film Options

Critics' Week made their line-up public yesterday. Directors' Fortnight topper Paolo Moretti mentioned that there is one title from Asia that they are still...

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Timestamp | Review

Schools of Survival: Gornostai Probes the Resiliency of Ukraine’s...

Interview: Neeraj Ghaywan – Homebound (2025)

A filmmaker who has emerged as one of the...

Interview: Siyou Tan – Amoeba (2025)

The official mascot of Singapore represents a visual melting...

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