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2022 Venice Film Festival: Alice Diop, Poitras, Panahi & Iñárritu Among Front-Runners for the Golden Lion!

With only one title left to be unveiled (for the time being, let's call it the August 30th pre-opener as it will be actually...

2022 Venice Film Festival: 70 Predictions (Part I) Iñárritu, Dominik, Zlotowski & Escalante

This week we throw ourselves into predicting the world premiere options for both the Venice and Toronto International Film Festivals. We begin by looking...

TIFF 2021: Platform Comp includes Cantet, Siegel/McGehee, Abu-Assad & Hadžihalilović

Riz Ahmed and the yet to be named pair of Platform Jury teammates won't have much watching to do as this year's Platform section...

The Shadow of Violence | Review

Goodbye Horses: Rowland Riles Allegiances in Familiar Crime Thriller It’s a tale as old as crime itself, the toppling of empires thanks to the shifting...

Midsommar | Review

Secret Ceremony: Aster Gets Cruel for the Summer with Wicked Rituals Director Ari Aster, who revitalized the potential of psychological horror with his phenomenal 2018...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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