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What a strange bit of untimely news this morning. Who dies of a heart attack at age 32? Makes no sense. The above news headline isn't a case of bad taste -- I've decided to re-publish a Brittany Murphy interview we had on the site, which I had completely forgot that we had, but it serves as a reminder that the actress, known for bubbly roles as Jameson mentions in his intro below, and as of late, had some back to back films that went the direct to video route, should also be remembered for taking on some difficult, challenging indie parts as in Karen Moncrieff's film.

Lee will need to reacquaint himself with green screen technologies and computer generated stuff if he decides to actually take on a project which at one time or another had people like Shyamalan, Cuaron and Jeunet attached to direct. Variety reports that the helmer would supervise a new script for Life of Pi by a scribe to be hired shortly.

Despite the numerous accolades and film festival wins, I've expressed my doubts in the past on whether theatrical possibilities for this film were even possible. Pablo Larrain’s second film is a brilliant exploration of Chile's former Pinochet dictatorship but my reservations have a lot to do with some of the violent outbreaks from the film's lead character. Indiewire's Eugene Hernandez has unveiled that the Chilean import has found a home with Richard Lorber's new label(?).

In a deal that went under the radar from the flurry of deals taking place in Berlin, this pick-up of a recently release (in France) suspense-thriller that was co-produced by the French, Germany and Canada and which features an international cast that begins with Romain Duris, John Malkovich and includes Evangeline Lilly in her first major film role and this is perhaps why The Weinstein Co. grabbed hold of Gilles Bourdos' English debut Afterwards from the Wild Bunch folks.

No Man's Land was a satire on how people had the ability to lose focus, Danis Tanovic's explores the same problem with his upcoming next project currently being pre-sold by The Match Factory in Berlin. An adaptation of the debut novel by Croatian journalist Ivica Djikic, Cirkus Columbia will look at the new rise of nationalism and facism in Bosnia.