At the last Critics' Week in Cannes 2019, critics took notice of Hlynur Pálmason’s second feature, A White, White Day. Pálmason’s debut, Winter Brothers,...
Scratching the Surface: Jenkin’s Ambitious Visual Style Carries Cornish Coastal Drama
Experimental filmmaker Mark Jenkin shines a light on the film industry of Cornwall with...
Markus Schleinzer’s second feature Angelo (review) has had a long life on the festival circuit, premiering in Toronto (Platform section 2018) and giving wide...