Tag: 2021 Toronto Intl. Film Festival

Interview: Emre Kayiş – Anatolian Leopard

The old adage (and threat) of out with the old and in with the new is especially true in Emre Kayiş' directorial debut. It's...

The Good House | Review

Days of Wine & Mortgage: Weaver Soars in Drama on Denial & Redemption “It always begins with denial,” Hildy Good announces in the opening frames...

Interview: Mounia Akl – Costa Brava, Lebanon

Arriving at TIFF after having premiered at the Venice Film Festival, first-time Lebanese filmmaker Mounia Akl who actually penned the screenplay with Clara Roquet...

Earwig | Review

Earsatz: Hadzihalilovic Sinks Her Teeth In Ambiguous Menace For her highly anticipated third feature, France’s Lucile Hadzihalilovic resorts to adaptation with the enigmatic Earwig, based...

Interview: Fabrice Du Welz – Inexorable

For his seventh feature film Belgian filmmaker Fabrice Du Welz returns to the family domicile to chaos and mayhem. While in his previous film...

Interview: Khadar Ayderus Ahmed – The Gravedigger’s Wife

Making a moral complicated medley on death being at someone's doorstep...and footsteps, with his feature debut film, Somalia-born, Finnish filmmaker Khadar Ayderus Ahmed proposes...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...