Tag: Amiel Courtin-Wilson

Top 200 Most Anticipated Foreign Films of 2023: #190. Amiel Courtin-Wilson’s Carnation

Carnation We're beginning to think Amiel Courtin-Wilson’s Carnation is driftwood at sea as it wrapped up back in 2019. The Australian filmmaker with film splash...

2022 Venice Film Festival: 70 Predictions (Part I) Iñárritu, Dominik, Zlotowski & Escalante

This week we throw ourselves into predicting the world premiere options for both the Venice and Toronto International Film Festivals. We begin by looking...

Top 100 Most Anticipated Foreign Films of 2022: #85. Amiel Courtin-Wilson’s Carnation

Carnation With over two decades of output beginning with a splash at the 2000 edition of Sundance with Chasing Buddha to showing Cicada in the...

See Tim Sutton’s Memphis; The Venice Film Festival Directly at Your Door

I've yet to find myself on the Lido (at the top of my bucket list choices for film festivals I've yet to visit) but...

Stacked 2013 Venice Edition Includes Latest Miyazaki, Ki-Duk, Ming-liang, Dolan and Frederick Wiseman

With still several films not yet announced for the behemoth Toronto Int. Film Festival,  it appears that 2013 will be a significant cross-over year...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.