Tag: Annamaria Morelli

Rosebush Pruning | Review

The Killing of a Sacred Dogtooth: Ainouz Paints with Contempt Karim Aïnouz doesn’t so much eat the rich as he does regurgitate them in his...

Interview: Carolina Cavalli – The Kidnapping of Arabella

Using the road-movie narrative template to explore an unconventional form of companionship, The Kidnapping of Arabella is far from a typical coming-of-age film —...

La grazia | Review

The Long Goodbye: Sorrentino Returns to Familiar Remembrances of Things Past Paolo Sorrentino reunites with his onscreen alter ego Toni Servillo in La Grazia for...

Fuori | 2025 Cannes Film Festival Review

Hoosegow Girls: Martone Pays Delicate Tribute to Goliarda Sapienza “Never refuse to see the unpleasant aspects of life,” wrote Goliarda Sapienza in her widely...

Love Is in the Air: Mubi Courts Paolo Sorrentino’s “La Grazia” Starring Muse Toni Servillo

Last December we learned that Paolo Sorrentino was quickly moving back into the director's chair for his eleventh feature film, and now Variety reports...

Maria | Review

Songs from the Specious Floor: Larrain Imagines the Last Days of a Diva A penny for the thoughts of Maria Callas regarding Pablo Larraín’s glossy...

Interview: Carolina Cavalli – Amanda

A refreshing new voice on the Italian cinema scene popped up in the Orizzonti section (Venice Film Festival's parallel section to the comp) in...

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Jouhatsu Junction: Humanist Vampire… Helmer Ariane Louis-Seize Picking ‘Cherry Blossoms’

Telefilm Canada have put some sizeable coin towards a...

2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race

Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de...

2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race

The International Feature Film category is only beginning to...

Park Ji-Min Joins Théodore Pellerin in Philippe Lesage’s ‘I Just Want a Great Love Story’

Production has begun on Philippe Lesage's highly anticipated I...